ITC Garamond was designed in 1977 by Tony Stan. ![]() Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style easily recognizable by their elegance and readability. ![]() It is a community project to create a revival of Claude Garamont’s famous humanist typefaces from the mid-16th century. Linotype has several versions of the Garamond typefaces. Garamond Premier Pro contains an extensive glyph complement, including central European, Cyrillic and Greek characters, and is offered in five weights ranging from light to bold. EB Garamond is intended to be an excellent, classical, Garamond. Different Garamonds created by different makers. A staple for book covers, posters, it’s timeless and classic. By modeling Garamond Premier Pro on these hand-cut type sizes, Slimbach has retained the varied optical size characteristics and freshness of the original designs, while creating a practical 21st-century type family. Usually, people refer to serif typefaces simply as serifs, but actually, its a description of a serif typeface that contains serifs in its letterforms. In fact, it was so popular that it became its own category: many similar-looking fonts created during that time were collectively Garamonds. While fine-tuning Adobe Garamond (released in 1989) as a useful design suited to modern publishing, Slimbach started planning an entirely new interpretation of Garamond’s designs based on the large range of unique sizes he had seen at the Plantin-Moretus, and on the comparable italics cut by Robert Granjon, Garamond’s contemporary. ![]() Garamond, a French punchcutter, produced a refined array of book types in the mid-1500s that combined an unprecedented degree of balance and elegance, and stand as a pinnacle of beauty and practicality in typefounding. About This Font: Monotype Garamond is a trademark of Monotype Typography, Ltd which may be registered in certain jurisdictions. Garamond Premier Pro had its genesis in 1988 when Adobe senior type designer Robert Slimbach visited the Plantin-Moretus Museum in Antwerp, Belgium, to study their collection of Claude Garamond’s metal punches and type designs.
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